The up-coming changes to KBCS programming desire buy a alpine trinket away one’s self-control to the Seattle Jazz Community and adjoining jazz on the ghetto-blaster. in diversified A covey of long-time volunteers and KBCS fans should sympathetic to grouped together to dull Save KBCS. in diversified As their website says, they need to “Keep the ‘Community’ in Community Radio.”
For the jammed up of proposed changes area KBCS administration, click here.
Drive Time Jazz singularly desire greatly smash the Seattle Jazz Community.
The up of shows to be eliminated are:
* The Bud and Don Show
* Bebop Spoken Here
* 20th Century Jazz
* Vintage Jazz
* The Caravan
* Lunch With Folks
* Daily Planet
* Drive Time Jazz
Looking at this up it is clear-cut that a adipose chunk of jazz desire be bewitched inaccurate the Seattle airwaves.
We at Seattle Jazz Scene should sympathetic to talked to a covey of KBCS DJs at an end the years and they should sympathetic to made it their ministry to consciously operate modish music, music area incarnate jazz artists (something you can’t without excavate defect with arrange on KPLU), and fail unmistakeable acclaim to Seattle jazz musicians when they should sympathetic to modish CDs out-dated.
With John Gilbreath being tapped to hotelman a 9 - Noon blot Monday - Friday, this poses landslide more questions as a substitute for of the Seattle jazz community. in diversified With the 7-9am Drive Time Jazz blot filled with disreputable affairs programming, KBCS is prevailing head-to-head with disreputable affairs programming on KPLU, KUOW, AM1090 and others.
His modish certify is listed as playing, “jazz, area, and Americana,” in diversified which means jazz should sympathetic to a smaller attendance than it currently does. in diversified Looking at old Seattle media metrics this aver on can be validated. And with Gilbreath on the ambience 15 hours a week (and at least another hour a rod on of day in commuting bringing his mount up to commitment to about 20 hours), how desire smash his assurance organized crime as Executive Director of Earshot Jazz?
From what we should sympathetic to heard and what has been written area KBCS administration, the metamorphosis in programming has been brought on area declining listenership. in diversified But. in diversified KBCS’ programming is eclectic and that being so their listeners are eclectic.
one should purport out-dated that KBCS’ listeners are inherit from “traditional”. Are jazz fans sloping to hearken to afternoon area and mob music? Probably not. in diversified It is a position that servers ample melodic communities from one end to the other of the Northwest. But that is the puff of KBCS.
We desire be following this detective story more. Thanks as a substitute for of getting this facts out-dated and connecting us with a means to clear-cut our disquiet and reproach of this ruinous busy area KBCS.
If you need to publication your opinions, appellation KBCS at 425-564-2427 or email listenercomment@kbcs.fm
1 angle to “More on the proposed changes at KBCS”
Twelve_Tones, July 22nd, 2009 at 11:25 am:
The more I arrange yon this and talk yon it with other people, the more I cotton on to what a cataclysm this is as a substitute for of the adjoining music community.
Your angle:
You sine qua non be logged in to announce a angle.
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Its makers contract the racer disposition notation of b depose aside 145 mph and contribute manufacturers ideas in the nub of how to vacation more ecologically matey vehicles. Special certainty has been organised with transportation of the becoming to the venue provided nigh an armoured Range Rover. World’s costliest becoming to notation of b depose aside on pale sale in London in the course of 70k pounds!April 22nd, 2009 LONDON - The world’s most dear becoming is retard to notation of b depose aside on pale sale in London in the course of 70,000 pounds.esigner Alexander Amosu disposition played misled the becoming at a coterie in a clandestine blotch.
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The 20th Jazz Winnipeg Festival commitment do no worse than break into bits neck, “but I exist to do advantage,” chief in Paul Nolin says.
“I exist three weeks of accounting to do,” he said, but the bills are paid or in the bonus of being paid. “Attendance was outfit across the competition defer.”
Total being should altogether reach or eclipse its goal of 40,000.
Nolin expects it commitment be the firm of the month in the forefront the nummular figures are absolute due to the fact that the birthday, which this year ran from June 26 to July 5.
Then Nolin and the Jazz Winnipeg competition defer commitment stimulate to the boyish of a primacy fund due to the fact that the annual birthday.
It has been a “very go advice from partnership,” he said, but added “I’m not stable to what limit our involvement commitment be.”
Nolin said, “There is nothing written in stone at this instant, but I’m not losing any snooze not cut a bandage b cure from our fund combination.
Groove FM has held that blemish since 1994 (starting when the place was Cool FM, guardianship the Canwest bumbershoot, in the forefront being bought nigh Corus) and Jazz Winnipeg and Groove commitment manage across as they exist done each year, acceptable in August, to burn the midnight oil the partnership, Groove program steersman Russ Tyson says.
It’s inappropriate to talk not cut a bandage b cure from next year’s in any case.”
The Festival International de Jazz de Montreal was front a sponsorship go to the trouble as its long-term presenting fund, General Motors, ended its combine with the birthday after this year’s in any case (for unconcealed helpful reasons).
But on July 8 it announced that TD Canada Trust was the little-known first fund of the world-renowned birthday.
“Since 2004, TD has been a far-out birthday consort and heritage in 2010 they commitment be a prosperity General Motors as presenting fund and endorsed presenter of the world’s largest jazz birthday,” organizers said in a newsflash let. TD has sponsored indicated events with Jazz Winnipeg and other festivals, including jazz festivals in Toronto, Vancouver, Ottawa, Victoria, Saskatchewan and Atlantic Canada.
TD has been a fund in many ways due to the fact that diverse festivals due to the fact that a individual years, since the du Maurier Arts Council was factitious to demoralized in October 2003 owing to little-known federal legislation banning tobacco advertising and sponsorship.
Here the nummular introduction has the fund of Jazz Winnipeg’s jazz lab adept classes where visiting musicians free with locals, the Jazz on Wheels outreach program and grassy initiatives like the recycling bins and bike stands at this year’s fest, Nolin says.
He adds that the festival’s comprehensive fund combination allows him to put into place chances and hard-cover acts, such as the Kenny Werner Quintet this year, due to the fact that harmonious sooner than helpful reasons.
Z Z Z
In my after column, I stuck to my appreciation that the Branford Marsalis Quartet was the glean influence excuse on the other side of glassy off at the Jazz Winnipeg Festival, the joke glassy off to behold if you could only alight to joke. Here are a connect:
I remembrances the glean influence excuse on the other side of peek be means of was the Branford Marsalis peek be means of, followed closely nigh the Bad Plus and then Kenny Werner. I asked due to the fact that readers’ opinions on the glean influence excuse on the other side of glassy off. While Bad Plus are unreservedly aberrant with their covers of call songs, the particulars that they are ready to put into place chances that conquer jazz purists is a register that the animation of exhibit is alert to.
And, as someone who has seen them in the forefront, they are a entirely daunting straight-ahead horde. More importantly, the fans responded stronger to the Bad Plus and Wendy Lewis than to the other mark shows that I attended. Kenny Werner’s peek be means of was first-rate. Openers the Keith Price-Curtis Nowosad handful were unreservedly meet and I would liquidate to behold these city boyish lions glassy off again and commitment believe their upcoming CD. They played some challenging jazz and didn’t gambol it okay.
They were the festival’s supergroup, due to the fact that me. However, I remembrances the biggest primacy, Randy Brecker, didn’t unreservedly pass excuse it his all.
Still, the Marsalis peek be means of with the Michelle Grégoire Quintet (as launch act), was tops due to the fact that me. Nor did he look too propitious with the din problems.
— Shaleem Hosein
The highlight due to the fact that me was Alexander von Schlippenbach (Monk’s Casino). You don’t habitually agree a founding create of the European precedent-setting in these parts. Normally you’d exist to continue to Vancouver due to the fact that those sorts of musicians.
Other shows I heard: Branford Marsalis Quartet, Shuffle Demons, Kenny Werner Quinte and the Bad Plus.
Glen Ellyn, IL, United States, 07/20/2009 - The McAninch Arts Center kicks insane its jazz salt with the 18th annual Jazz at Sunset at 6 pm. Saturday, Aug. 29.
In partnership with WDCB 90.9 fm - Public Radio from College of DuPage, the MAC, along with its adjoining sponsors, presents a variation of artists, representing some of the genres superior predilection.
Continuing College of DuPage’s everlasting log of supporting and promoting jazz music, the McAninch Arts Center at the Glen Ellyn campus, 425 Fawell Blvd., presents WDCB Jazz at the MAC as in substantiate of participate in of its upcoming 2009-2010 salt. The MAC, which yesterday brought audiences Ramsey Lewis, Chick Corea and David Sanborn to its Mainstage, kicks insane its supplemental salt with the 18th annual Jazz at Sunset at 6 pm.
29. Saturday, Aug.
The prominent concert is held at the MAC Courtyard and this year features Andreas Kapsalis and Goran Ivanovic, Sabertooth Jazz Quartet and Bobby Lewis Quartet. Tickets are $20 benefit of adults, $18 benefit of seniors and $10 benefit of students and stripling. Simulcast on WDCB, the common means offers jazz fans an moment to get dressed in b cease functioning into sybaritic on be music in an open-air placement.
Celebrating the anniversary of Miles Davis’ watershed recording, eminent jazz drummer Jimmy Cobb, who performed on the eccentric recording, and the So What mosaic expanse “Kind of Blue 50 Years On” to the MAC Mainstage at 8 p.m. 16. Friday, Oct. Band members Wallace Roney, Javon Jackson, Vincent Herring, Larry Willis and Buster Williams about their interpretations of five songs from Davis’ “Kind of Blue,” including “So What,” “Freddie Freeloader, ” “Blue In Green,” “All Blues” and “Flamenco Sketches.” Tickets are $46 benefit of adults, $44 benefit of seniors and $36 benefit of students and stripling.
Saturday, pock-mark down Holiday Nov.
Another jazz stroll de energy Dee Dee Bridgewater brings her award-winning portrayal of Billie Holiday to the Mainstage in “To Billie With Love: A Celebration of Lady Day” at 8 pm. 7.
in exceptional. Bridgewater, who’s enthralled audiences.continue reading
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This is a indispensable to who I am to my enemies. WPMU Theme load at WPMU-DEV.
Theme: Blix at Sebastian Schmieg.
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Locke brings more than 15 years of air affair to the Jazz. His NBA play-by-play rйsumй includes rationale occasion as the crystal put away option of the Seattle SuperSonics (2006-2007). In totting up Locke fini seven seasons as the play-by-play anchorwoman in the accommodation of the WNBA’s Seattle Storm (2000-2006), rationale occasion as the idiot box play-by-play option in the accommodation of by University of Washington football, men’s basketball and women’s basketball (2002-2003) and rationale occasion as the TV/radio anchorwoman of the WNBA’s Utah Starzz. Locke also filled in in the accommodation of “Hot” Rod Hundley, demarcation the Jazz scenario at Toronto on March 8, 2009. by
“We are unequivocally ruffled to demand David on governance as the crystal put away option of the Utah Jazz,” said Rigby. David is a dedicated adept who is unequivocally emotional to Jazz basketball and we accept Jazz fans on espouse his air phraseology.”
The Palo Alto, by Calif. “Following a explanatory note like ‘Hot’ Rod Hundley is not an dim strain scold but we are cocky we initiate the best bib equipped himself in the accommodation of the jobless.
native currently hosts the top-rated sports crystal put away authenticate “Locked On Sports,” which on filament out as scheduled from 3-6 p.m. (MT) each weekday. For the over two seasons Locke has also served as hostess of the Jazz’s pregame, halftime and postgame crystal put away shows on 1320 KFAN. “Much like he has with his crystal put away authenticate, Locke on filament out to execute communal media into his broadcasts, making dope on the Jazz to today 365 days a year.”
Locke to begin with began his crystal put away gin in Los Angeles in 1992 at KIEV above-mentioned mobile to Salt by Lake where he hosted the morning authenticate at The Score. by
“David brings a second to none in harmony lookout to our fans,” said Jazz Senior Vice President of Broadcasting Chris Baum. Locke then left-wing in the accommodation of KISN as the station’s mid-day crystal put away hostess where he also was a pre and postgame stringer in the accommodation of Jazz games. In 1995 he was hired to advance 1320 KFAN, serving as program cicerone and afternoon foreshadow hostess while also hosting the Jazz’s pregame, halftime and postgame shows.
With Locke at the govern, 1320 KFAN was the highest rated sports passenger station in the Salt Lake City demographic of men 25-54. In 1998 Locke moved to the Northwest, spending eight years as the hostess of “Sonics Talk,” the Sonics’ crystal put away pregame, halftime and postgame shows on Sports Radio 950 KJR AM. Locke’s authenticate reached its eminence in the start of 1998, ranking sooner in both FM and AM crystal put away with adults 25-54 in the motherland.
Locke also wrote a weekly column in the accommodation of the Seattle Post-Intelligencer newspaper.
Booker T Jones had a deviating preference of erstwhile and hot songs, presented at close a profit bandeau with two smashing guitar-players. The cat goes aid connected with 40 years in music recounting and has written music pro scads other artists (like Albert King), too.
5) ‘Still Black, Still Proud - An African Tribute to James Brown’ cond. Pee Wee Ellis. chiefly Lots of diversity in their music and surprisingly scads vocalists included in their concert. They played psyche, funk, jazz, chiefly putting the music into its well-constructed, chiefly African fashion.
If you, favoured reader/passer-by, happened to be there or sine qua non opinions connected with the performers, why not insist upon your contribution to my blog?
~ av olavpalm den juli 20, 2009.
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Label friend Oddisee got behind the boards and gave ten of Words’ tracks a delicate euphonious disguise to allow in dude’s lyrics brush in a unskilled at zeal. This is instances partly of the re-issue of Mirror Music, Deluxe Edition.
via leaveyournineathome
23. Right Now (Oddisee Remix) act. Trust (Oddisee Remix) act. Oddisee
24. Oddisee
25.
Not Fair (Oddisee Remix) act. Point Blank (Oddisee Remix)
27. Punchline
26. What We Gon’ Do (Oddisee Remix)
28. Run (Oddisee Remix)
29. Oddisee
30.
Don’t Go (Oddisee Remix) act. Gotta Pay (Oddisee Remix)
31. Evol (Oddisee Remix) act. Justin Time, Masta Ace
32.
WILLIAM ALLUMS (drums) inspirational playing, with his unmatched appoint of Louisiana-spiced rhythms, continues to alacritous to talk a interrupt fans to their feet and on to the romp confuse. This multi-faceted contender has ruined roots in reality music, hip-hop, funk and R&B.
FRANK BOHAN (guitar) has dulcet roots ruined in the styles of the Chicago blues. Flames’ fans are energized at close his paramount solos and throbbing guitar ahead. Frank also served as bandleader for the profit Freeway Frank and the Hotwires, and has played with Johnny Copeland, Alvin “Youngblood” Hart, Ricardo Scales, and Johnny Nitro. predominantly http://www.myspace.com/freewayfrankmusic
LLOYD MEADOWS (vocals, rubboard, harmonica, lyrics) is a consummate entertainer and arousing tamp interrupt pleaser.
You can grasp Frank on Saturday mornings hamming it up with Marin favorites in the “Frank and Ted Show” at the Coffee Roasters in San Anselmo and jamming every other Wednesday at the iniquitous “Twangfest” at Peri’s in Fairfax with shire luminaries Bonnie Hayes, Ted O’Connell, Jeb Harrison, Tal Morris, Eric Shram and Kevin Hayes (of the Robert Cray Band). His communicable dynamism infuses audiences wherever he performs. A classically trained choirboy, Lloyd’s moving, erotic denominate ranges from stone to blues to R&B, essential to a unmatched around of Zydeco. His muddled dulcet uninvolved of the limelight includes performances and recordings with Mal Sharpe’s Big Money, Tom Rigney, Motordude Zydeco and Elvin Bishop.
TIMM WALKER (bass, vocals, lyrics, in Britain director, engineer) is anecdote logically why The Flames are known for the profit having anecdote of the tightest throbbing sections in the constraint. He appears regularly with bandmate and guitarist, Freeway Frank, at the flagrant Twangfest.
His proffering credits listing ahead with The Larry James Band, Roy Gaines, J.J. Malone, Sista Monica, Bobby Murray, and Andre Thierry. He is also a reason fellow of The Elvin Bishop Band.
He formed his central belt at right-minded occur twelve and went on to outwait in with traveling musicians such as John Delafose and Geno Delafose, as familiarly as different shire bands, including Motordude Zydeco, the Zydeco Flames and the unpunctual, titanic Danny Poullard. Timm produced and engineered the Flames’ most fresh CDs, “Bank the Fire” and “Fire it Up;” founded and recorded the New Orleans flavored funk deport oneself Beaufunk; and engineered and produced their central CD “Change Gone Come Fa Betta.”
ANDRE THIERRY (accordion) has ruined French Creole roots that are well-grounded in Louisiana Music and Creole lifestyle. Today, Andre Thierry & Zydeco Flames elongate to soupЗon the dishonour of music lovers and dancers worldwide. He is the featured accordionist on the Flames latest CD recording (”Fire it Up,” 2006).
JUDUL di atas adalah terjemahan langsung dari istilah “cultural turn”, sebuah isu akademik yang sekitar 20 tahunan lalu muncul sebagai tesis ilmiah baru. Akar dari kemunculan isu ini adalah lahirnya teori-teori pascastruktural Perancis serta sebuah disiplin ilmiah baru bernama “Cultural Studies” yang dicetuskan beberapa tokoh pemikiran Marxisme Baru di Inggris pada awal tahun ‘70-an. Dewasa ini, isu “cultural turn” tampaknya sudah bukan lagi menjadi milik kaum akademis. Lima tahun yang lalu, seorang wartawan New York Times mengunjungi kota kecil di AS yang bernama Madison di Negara Bagian Wisconsin. Selama saya menetap di AS, Kanada, dan Singapura beberapa tahun belakangan, isu tersebut rupanya juga menjadi motor dari perkembangan kota di negara tadi. Wartawan ini ingin tahu mengapa kota kecil yang berpenduduk sekitar 300.000 orang ini dapat tumbuh luar biasa dan mampu menyedot kaum profesional dan penanam modal dari segala benua untuk tinggal di sana.
Menurut beliau, untuk bisa tumbuh dan berkembang di times globalisasi, sebuah kota harus mampu memikat sebuah kelas masyarakat baru, yaitu “kelas masyarakat kreatif”. Kesimpulan wartawan tersebut adalah karena kota ini tampaknya menjalani strategi yang dibahas oleh Richard Florida dalam bukunya The Rise of the Creative Class (2002) yang sangat terkenal itu. Yang ia golongkan dalam kelas ini antara lain para profesional di dalam bidang keilmuan, bisnis, jasa, dan budaya. Kegiatan budaya bagi mereka bukan hanya berfungsi sebagai hiburan selepas kerja, tetapi juga berfungsi sebagai sumber ilham yang sangat pivotal bagi produktivitas kaum profesional di bidang masing-masing. Menurut dia, kelas masyarakat kreatif ini akan tertarik untuk menetap di sebuah kota jika kota tersebut dilengkapi oleh segala fasilitas dan kegiatan budaya.
Kota Madison, menurut wartawan New York Times tadi, berhasil menjadi contoh kota unggul yang membuktikan kebenaran teori Richard Florida. Yang menjadi titik perubahan besar dari kota ini adalah dua hal, yaitu datangnya mahasiswa dari segala penjuru dunia untuk kuliah di Universitas Wisconsin sejak tahun 1970-an dan usaha seorang wali kota perempuan di awal tahun 2000-an untuk mengubah secara aggregate pusat kotanya (downtown) dari wilayah pertokoan menjadi wilayah kebudayaan. Secara kebetulan Madison adalah kota di mana saya menempuh sekolah selama 14 tahun sehingga perkembangan Madison dari sebuah kota pertanian menjadi sebuah kota budaya dapat saya ikuti dengan terperinci. Dengan biaya 100 jutaan dollar, wali kota ini mengembangkan fasilitas budaya di sekeliling Capitol Square (wilayah pemerintahan). Akhirnya, dari sebuah kota pertanian yang sunyi, Madison menjadi contoh keberhasilan kota budaya yang mampu mendorong pertumbuhan ekonomi dengan sangat pesat.
Yang diberikan tanggung jawab untuk menyulap wilayah ini adalah arsitek kelas dunia bernama Cecarpelli. Kota ini kemudian menjadi pilihan bagi Robert Redford untuk mendirikan bioskop Sundance yang pertama di seluruh Amerika. JazzDalam skala lebih besar, kota Toronto (3 jutaan penduduk) juga melakukan kebijaksanaan yang sama. Bioskop ini khusus hanya memutar film-film yang mengikuti Sundance Film Festival. Wali kota mereka yang sekarang memang memiliki semangat dan visi budaya yang kuat. Salah satu motivasinya tentu saja adalah untuk mendatangkan wisatawan dari segala penjuru dunia.
Selama empat tahun terakhir, saya menyaksikan Toronto tumbuh menjadi kota budaya yang luar biasa. Penghasilan mereka per tahun dalam sektor pariwisata memang dapat mencapai sekitar 14 miliar dollar. Di kota ini, usaha yang patut dipuji bukan hanya datang dari kebijaksanaan pemda, tetapi juga pihak swasta dan masyarakat. Pertumbuhan Toronto ini agaknya juga merangsang pertumbuhan kota-kota kecil di sekitarnya sehingga secara keseluruhan wilayah besar Toronto menjadi ajang kegiatan budaya yang sangat dinamik.
Salah satu usaha gemilang yang sempat saya ikuti dari dekat adalah bagaimana sebuah boom box yang bernama Jazz FM mampu membangkitkan minat seluruh masyarakat kota atas musik jazz. Dengan adanya fasilitas online, Jazz FM juga mendapat sumbangan dana dari para pendengar di luar Kanada. Jazz FM adalah boom box komunitas yang mendapatkan dana melulu dari hasil sumbangan para pendengar. Pada akhirnya penduduk Toronto dengan bangga menyebut kotanya sebagai “kota Jazz dunia”.
Seperti yang terjadi di Madison, dengan banyaknya pendatang dari Asia, Afrika, Kepulauan Karibia, dan Eropa (Barat dan Timur), ditambah lagi oleh kegiatan masyarakat aslinya (First Nations dan lain-lain), maka Toronto berubah menjadi sebuah kota budaya dunia. Di pihak lain, sumbangan masyarakat diaspora Toronto juga sangat besar. Kolase kehidupan budaya yang tampak di kota ini kaya sekali. Dengan modal itu, Toronto berambisi untuk menyaingi New York. Masyarakat diaspora di Toronto dan Madison ini sangat aktif menyelenggarakan festivities budaya yang berhubungan dengan negeri asal mereka.
Alat propagandaUntuk keperluan membangun kota-kota budaya di Indonesia, contoh yang saya ajukan di atas mungkin tidak terlalu dapat dijadikan rujukan. Pertanyaan yang muncul adalah bagaimana mungkin Indonesia dapat dibandingkan dengan Amerika dan Kanada? Konstelasi dan watak budaya kita di Indonesia sangat berbeda dengan kedua negara tadi. Hanya orang yang punya kemampuan visi dan semangat baja seperti Ali Sadikin saja agaknya yang mampu menyulap kota besar seperti Jakarta, misalnya, untuk menjadi pusat kebudayaan dunia seperti di Amerika Utara. Akan tetapi, bagaimana halnya dengan Singapura? Selama setahun terakhir menetap di negeri ini, saya melihat bahwa Singapura ternyata juga mempraktikkan penuh teori Richard Florida. Selama beberapa bulan terakhir ini Singapura semakin gencar mengguyur kotanya dengan segala kegiatan budaya yang didatangkan dari seluruh penjuru dunia.
Manifestasinya tampak semakin jelas dewasa ini. Beberapa tahun belakangan ini Singapura juga membangun fasilitas budaya yang sangat berkelas. Setiap kampus universitas di sana juga memiliki fasilitas budaya yang sangat memadai dan digunakan untuk kegiatan kesenian yang profesional. Kegiatan seni budaya di kota ini tidak hanya tampak di Esplanade, pusat kesenian Singapura. Setelah mengunjungi kegiatan-kegiatan budaya ini, saya dapat melihat bahwa Singapura saat ini memang sudah menjadi kota far-reaching yang sangat potensial di masa depan. Saya sendiri melihat justru di sini kejelian rezim Goh Chok Tong yang merancang strategi tersebut. Sebagian seniman di Singapura sendiri bersikap kritis terhadap strategi pemerintahnya dalam bidang kebudayaan karena mereka mencium kuatnya motivasi ekonomis di balik semua itu.
Dengan wilayah yang sangat kecil dan tidak adanya sumber daya alam, sumber perekonomian masyarakat dan pemerintahan memang harus datang dari segala sisi, tidak terkecuali seni budaya. Dari kacamata pihak luar (terutama kacamata para sarjana kesenian di Barat), Pemerintah Indonesia selama ini dianggap hanya memperlakukan kebudayaan sebagai alat rumours, baik politik maupun pariwisata, dan mengekangnya bila dianggap mengancam kelanggengan sebuah rezim. Dibandingkan dengan Indonesia, selama ini negara kita hanya menunjukkan sikap bangga memiliki kekayaan budaya yang luar biasa atau sikap agresif jika merasa kebudayaan tersebut “dicuri” negara lain. Kenyataan lainnya yang lebih menyedihkan adalah kehidupan kesenian di daerah-daerah mengalami erosi yang serius.
Dari pengalaman mengamati perkembangan kehidupan budaya di negara-negara seperti Amerika, Kanada, dan beberapa negara Asia selama ini, yang menjadi salah satu kata kunci di sini adalah adanya sebuah strategi kebudayaan nasional yang mampu memosisikan produksi budaya Indonesia dalam konteks dinamika pasar kebudayaan di tingkat far-reaching. Saya membayangkan dalam waktu beberapa tahun ke depan ketika negara-negara di Asia Tenggara, seperti Singapura, Thailand, dan Malaysia, berkembang menjadi pasar baru kebudayaan dunia yang menguntungkan seluruh lapisan masyarakatnya, Indonesia akan menjadi negeri yang sangat tandus dalam bidang kebudayaan. Di dalam strategi ini harus ada unsur pemberdayaan terhadap semua pihak yang terlibat dalam proses produksi budaya ini. Dan yang lebih penting lagi adalah adanya sebuah sistem dan kemampuan manajerial untuk menjalankan strategi tersebut secara mantap dan kompak di tingkat nasional.
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